Filter # |
Color |
|
Description |
Standard |
HiTemp |
C-Tube |
002 |
Rose Pink |
 |
Strong pink
wash cycloramas. |
 |
. |
 |
003 |
Lavender Tint |
 |
Subtle cool
wash for stage and studio lighting. |
 |
. |
. |
004 |
Medium Bastard
Amber |
 |
Naturally
enhances skin tones. |
 |
. |
 |
007 |
Pale Yellow |
 |
Sunlight. |
 |
. |
. |
008 |
Dark Salmon |
 |
Enhances dark
skin tones, sunsets, ballroom sets. |
 |
. |
 |
009 |
Pale Amber Gold |
 |
Late sunlight. |
 |
 |
 |
010 |
Medium Yellow |
 |
Sunlight
effect. |
 |
 |
. |
013 |
Straw Tint |
 |
Sunlight wash
with gobos, interior lighting. |
 |
. |
 |
015 |
Deep Straw |
 |
Strong mood
effect on backings with yellow bias. |
 |
 |
 |
017 |
Surprise Peach |
 |
Skin tones - mood light. |
 |
. |
. |
019 |
Fire |
 |
Disco effect -
fire effect. |
 |
 |
 |
020 |
Medium Amber |
 |
Late sunlight. |
 |
 |
 |
021 |
Gold Amber |
 |
Fire effect,
sunset. |
 |
 |
 |
022 |
Dark Amber |
 |
Backlight. |
 |
 |
. |
| 023 |
Clementine |
 |
. |
. |
 |
. |
024 |
Scarlet |
 |
Pantomimes,
ballroom sets, fire effects. |
 |
 |
. |
025 |
Sunset Red |
 |
Warm stage
wash - TV studio wash - sunset effect. |
 |
. |
. |
026 |
Bright Red |
 |
Cycloramas. |
 |
 |
 |
027 |
Medium Red |
 |
Cycloramas. |
 |
 |
. |
029 |
Plasa Red |
 |
Fire effect,
musicals, cycloramas. |
 |
. |
. |
| 033 |
No Color Pink |
 |
Musical revues, warm wash
lighting, colorwash. |
 |
. |
 |
035 |
Light Pink |
 |
Musical
reviews. Warm wash. |
 |
. |
 |
036 |
Medium Pink |
 |
Front of house
lanterns. |
 |
. |
 |
039 |
Pink Carnation |
 |
Soft, cool
pastel pink, good for backlighting and general colorwash. |
 |
 |
. |
| 040 |
Rioja |
 |
.. |
.. |
 |
.. |
| 045 |
Dark Rose |
 |
.. |
. |
 |
. |
046 |
Dark Magenta |
 |
Very strong
pink, good for back lighting. |
 |
 |
.. |
048 |
Rose Purple |
 |
Musical
revues, discos, etc. cycloramas. |
 |
 |
. |
052 |
Light Lavender |
 |
Set dressing,
pantomimes and musicals. |
 |
.. |
 |
053 |
Paler Lavender |
 |
Subtle cool
wash. |
 |
.. |
 |
| 056 |
Romany Blue |
 |
.. |
.. |
 |
. |
058 |
Lavender |
 |
Backlight. |
 |
 |
 |
061 |
Mist Blue |
 |
Night scenes,
cool wash. |
 |
 |
.. |
063 |
Pale Blue |
 |
Cycloramas,
cool wash. |
 |
.. |
.. |
068 |
Sky Blue |
 |
Night effect,
cycloramas. |
 |
 |
 |
071 |
Tokyo Blue |
 |
Deep blue, use
for midnight scenes, cycloramas. |
 |
. |
 |
075 |
Evening Blue |
 |
Good for night
scenes, romantic moonlight. |
 |
 |
 |
079 |
Just Blue |
 |
Cycloramas. |
 |
 |
.. |
085 |
Deeper Blue |
 |
Moonlight,
strong back lighting. |
 |
 |
 |
088 |
Lime Green |
 |
Use with gobos
for leafy glades - pantos - slightly sinister atmosphere. |
 |
.. |
. |
089 |
Moss Green |
 |
With gobos for
forest scenes. |
 |
 |
 |
090 |
Dark Yellow
Green |
 |
Highlighting
for forest effects. |
 |
 |
. |
100 |
Spring Yellow |
 |
Sunlight wash
- use with gobos - disco - dark skin tones. |
 |
... |
. |
101 |
Yellow |
 |
Sunlight and
window effect - pleasant in acting areas. |
 |
 |
 |
102 |
Light Amber |
 |
Lamplight
effects - dawn sun effects - pleasant in acting areas. |
 |
.. |
 |
103 |
Straw |
 |
Pale sunlight
through window effect - warm winter effect. |
 |
.. |
.. |
104 |
Deep Amber |
 |
Mood effect on
backings. Backlighting of floor and color effect. |
 |
.. |
.. |
105 |
Orange |

|
Mainly light
entertainment, functions. Fire effect if used with 106, 166, 104. |
 |
. |
 |
106 |
Primary Red |

|
Strong red
effect, cycloramas. |
 |
.. |
 |
107 |
Light Rose |

|
Mood effect on
backings. Backlighting of floor and color effect. |
 |
.. |
.. |
108 |
English Rose |

|
Warm tint wash
- dark flesh tones - softer skin tones. |
 |
.. |
. |
109 |
Light Salmon |

|
Interesting
backlight. |
 |
. |
. |
110 |
Middle Rose |

|
Pleasing
effects for theatrical lighting. |
 |
. |
. |
111 |
Dark Pink |

|
Good for
cycloramas. |
 |
. |
 |
113 |
Magenta |

|
Very strong -
used carefully for small areas on set. |
 |
. |
 |
115 |
Peacock Blue |

|
Pleasing
effect on sets, cyclorama cloths, back lighting (e.g. ice rinks, galas, etc). |
 |
. |
 |
116 |
Medium
Blue-Green |

|
Pleasing
effect for theatrical lighting. |
 |
 |
 |
117 |
Steel Blue |

|
Gaslight
effect when used in conjunction with 213. |
 |
. |
 |
118 |
Light Blue |

|
Strong night
effect. |
 |
. |
 |
119 |
Dark Blue |

|
Mood effects,
jazz clubs, moonlight. |
 |
 |
 |
120 |
Deep Blue |

|
Pleasing
effect for theatrical lighting. |
 |
 |
 |
121 |
Evergreen |

|
Cycloramas. |
 |
 |
 |
122 |
Fern Green |

|
Cycloramas -
good for mood effect. |
 |
. |
. |
124 |
Dark Green |

|
Cycloramas -
good for back lighting. |
 |
 |
. |
126 |
Mauve |

|
Cycloramas -
good for back lighting. |
 |
 |
 |
127 |
Smokey Pink |

|
Cycloramas -
set lighting, discos. |
 |
. |
 |
128 |
Bright Pink |

|
Cycloramas -
good for back lighting - strong effect. |
 |
 |
 |
| 129 |
Heavy Frost |

|
Used for soft light effect (75
micron base) |
 |
. |
. |
130 |
Clear |

|
Used in
animation and projection work. |
 |
 |
. |
131 |
Marine Blue |

|
Romantic
moonlight - ballet - underwater scenes. |
 |
. |
. |
132 |
Medium Blue |

|
Set lighting -
travelling matt blue, cycloramas, night. |
 |
 |
. |
134 |
Golden Amber |

|
Fire effect
(doubled up). |
 |
. |
. |
135 |
Deep Golden
Amber |

|
Fire effect. |
 |
. |
. |
136 |
Pale Lavender |

|
Pantomime,
ballroom sets, enhances dark skin tones in follow spots. |
 |
. |
. |
137 |
Special Lavender |

|
Moonlight,
musical / romantic scenes, enhances skin tones. |
 |
. |
. |
138 |
Pale Green |

|
Good with
gobos for wooded scenes. |
 |
. |
. |
139 |
Primary Green |

|
Set lighting,
cycloramas. |
 |
 |
 |
140 |
Summer Blue |

|
Warm blue -
cycloramas - tint wash. |
 |
. |
. |
141 |
Bright Blue |

|
Pretty or
romantic moonlight, cycloramas, night. |
 |
 |
. |
142 |
Pale Violet |

|
Moonlight,
cycloramas, highlighting pot plants. |
 |
 |
. |
143 |
Pale Navy Blue |

|
Moonlight,
cyclorama night effect. |
 |
. |
. |
144 |
No color Blue |

|
Moonlight for
green seas, cycloramas with 147 to produce sunsets. |
 |
. |
. |
147 |
Apricot |

|
Sunrise,
sunset, lamplight. |
 |
. |
. |
148 |
Bright Rose |

|
Fire effects,
musicals. |
 |
. |
. |
151 |
Gold Tint |

|
Pleasing
effect for theatrical lighting. |
 |
. |
. |
152 |
Pale Gold |

|
Interior
lighting to enhance skin tones. |
 |
. |
. |
153 |
Pale Salmon |

|
Backlighting
in conjunction with white light. |
 |
. |
. |
154 |
Pale Rose |

|
Pleasing
effect for theatrical lighting, lamplight. |
 |
. |
. |
156 |
Chocolate |

|
With 103 Straw
in same lantern to produce candlelight. |
 |
. |
. |
157 |
Pink |

|
Dance
sequences (useful for softening white costumes without affecting skin tones). |
 |
. |
. |
158 |
Deep Orange |

|
Fire effect. |
 |
. |
 |
159 |
No color Straw |

|
Warm effect,
sunlight. |
 |
. |
. |
161 |
Slate Blue |

|
Moonlight and
dusk. |
 |
 |
. |
162 |
Bastard Amber |

|
Warm white,
warm wash, lamp light. |
 |
. |
 |
164 |
Flame Red |

|
Fire effect. |
 |
 |
 |
165 |
Daylight Blue |

|
Moonlight. |
 |
. |
. |
166 |
Pale Red |

|
Cycloramas. |
 |
. |
. |
169 |
Lilac Tint |

|
Ballroom -
dance - backlight - front of house. |
 |
. |
. |
170 |
Deep Lavender |

|
Set lighting -
discos - theatres. |
 |
. |
. |
172 |
Lagoon Blue |

|
Flood lit warm
wash - underwater scenes - ballet. |
 |
. |
. |
174 |
Dark Steel Blue |
 |
Set lighting -
creates good moonlight shadows. |
 |
. |
. |
176 |
Loving Amber |
 |
Sunrise
backlight. |
 |
. |
 |
179 |
Chrome Orange |
 |
Combination of
1/2 CTO and double strength 104, sunlight. |
 |
. |
. |
180 |
Dark Lavender |
 |
Pleasing
effects for theatrical lighting, backlighting. |
 |
. |
. |
181 |
Congo Blue |
 |
Theatre and
television effect lighting, back lighting. |
 |
 |
 |
182 |
Light Red |
 |
Theatre and
television effect lighting, cycloramas. |
 |
. |
. |
183 |
Moonlight Blue |
 |
Moonlight,
cycloramas. |
 |
. |
. |
184 |
Cosmetic Peach |
 |
Pale tints
complementary to key lighting. |
 |
. |
. |
185 |
Cosmetic
Burgundy |
 |
Pale tints
complementary to key lighting. |
 |
. |
. |
186 |
Cosmetic Silver
Rose |
 |
Pale tints
complementary to key lighting. |
 |
. |
. |
187 |
Cosmetic Rouge |
 |
Pale tints
complementary to key lighting. |
 |
. |
. |
188 |
Cosmetic
Highlight |
 |
Pale tints
complementary to key lighting. |
 |
. |
. |
189 |
Cosmetic Silver
Moss |
 |
Pale tints
complementary to key lighting. |
 |
. |
. |
190 |
Cosmetic Emerald |
 |
Pale tints
complementary to key lighting. |
 |
. |
. |
191 |
Cosmetic Aqua
Blue |
 |
Pale tints
complementary to key lighting. |
 |
. |
. |
192 |
Flesh Pink |
 |
Musical and
pantomime key lighting. |
 |
. |
 |
193 |
Rosy Amber |
 |
Warm,
emotional, romantic. |
 |
. |
. |
194 |
Surprise Pink |
 |
With 193 for
musicals. |
 |
. |
. |
195 |
Zenith Blue |
 |
Moonlight for
dark sets, cycloramas. |
 |
. |
. |
196 |
True Blue |
 |
Moonlight. |
 |
. |
. |
197 |
Alice Blue |
 |
Moonlight,
cycloramas. |
 |
 |
. |
198 |
Palace Blue |
 |
Dark moonlight
- romantic evening. |
 |
. |
. |
200 |
Double C.T.Blue |
 |
Converts
tungsten to daylight. |
 |
. |
 |
201 |
Full C.T.B. |
 |
Converts
tungsten to photographic daylight. |
 |
. |
 |
202 |
Half C.T.B. |
 |
Converts
tungsten to daylight. |
 |
 |
 |
203 |
Quarter C.T.B. |
 |
Converts
tungsten to daylight. |
 |
 |
 |
204 |
Full C.T.O. |
 |
Converts
daylight to tungsten light. |
 |
. |
 |
205 |
Half C.T.O. |
 |
Converts
daylight to tungsten light. |
 |
. |
 |
206 |
Quarter C.T.O. |
 |
Converts
daylight to tungsten light. |
 |
. |
 |
207 |
Full C.T.O. +
.3ND |
 |
Converts
daylight to tungsten 6500oK to 3200oK and reduces light 1 stop. |
 |
. |
 |
208 |
Full C.T.O. +
.6ND |
 |
Converts
daylight to tungsten 6500oK to 3200oK and reduces light 2 stops. |
 |
. |
 |
| 209 |
.3 ND |
 |
Reduces light 1 stop without changing
color |
 |
. |
 |
| 210 |
.6 ND |
 |
Reduces light 2 stops without changing
color |
 |
. |
 |
| 211 |
.9 ND |
 |
Reduces light 3 stops without changing
color |
 |
. |
 |
212 |
L.C.T.Yellow |
 |
Reduces color
temperature of low carbon arcs to 3200K. |
 |
. |
. |
213 |
White Flame
Green |
 |
Corrects white
flame carbon arcs by absorbing ultra violet. |
 |
. |
. |
| 214 |
Full Spun |
 |
Soft lighting effect |
 |
. |
. |
| 215 |
Half Spun |
 |
Soft lighting effect |
 |
. |
. |
| 216 |
White Diffusion |
 |
Soft lighting effect (50
micron base) |
 |
. |
. |
| 216W |
White Diffusion - 60" wide |
 |
Soft lighting effect (50
micron base) |
 |
. |
. |
| 217 |
Blue Diffusion |

|
Used for soft light (50 micron
base) increases color temperature sltightly |
 |
. |
. |
218 |
Eighth C.T.Blue |
 |
Converts
tungsten to daylight. |
 |
 |
. |
219 |
Fluorescent
Green |
 |
General
tungsten to fluorescent correction for use when fluorescent color temp is unknown, to
provide medium correction. |
 |
. |
. |
| 220 |
White Frost |
 |
Used for soft light effect (75
micron base) |
 |
. |
.. |
| 221 |
Blue Frost |
 |
Used for soft light effect (75
micron base) increases color temperature slightly |
 |
. |
. |
223 |
Eighth C.T.O. |
 |
Converts
daylight to tungsten light. |
 |
. |
 |
| 224 |
Daylight Blue Frost |
 |
Soft light effect with
Tungsten correction using Full C.T. Blue (75 micron base) |
 |
. |
. |
| 225 |
Neutral Density Frost |
 |
Soft light effect with Neutral
Density (75 micron base) |
 |
. |
. |
226 |
U.V. |
 |
Transmission
of less than 50% at 410nms. |
 |
. |
 |
| 228 |
Brushed Silk |
 |
Soft lighting effect |
 |
. |
. |
| 229 |
Quarter Spun |
 |
Soft lighting effect |
 |
. |
. |
230 |
Super
CorrectionL.C.T.Yellow |
 |
Converts
yellow carbon arc (of low color temperature) to tungsten. |
 |
. |
. |
232 |
Super Correction
W.F.Green to Tungsten |
 |
Converts white
flame arc to 3200oK, for use with tungsten film. |
 |
. |
. |
236 |
H.M.I. (to
Tungsten) |
 |
Converts HMI
to 3200oK, for use with Tungsten film. |
 |
. |
. |
237 |
C.I.D. (to
Tungsten) |
 |
Converts CID
to 3200oK, for use with tungsten film. |
 |
. |
. |
238 |
C.S.I. (to
Tungsten) |
 |
Converts CSI
to 3200oK, for use with tungsten film. |
 |
. |
. |
241 |
Fluorescent
5700K |
 |
Converts
tungsten to fluorescent light of 5700oK (cool white/daylight). |
 |
. |
. |
242 |
Fluorescent
4300K |
 |
Converts
tungsten to fluorescent light of 4300oK (white). |
 |
. |
. |
243 |
Fluorescent
3600K |
 |
Converts
tungsten to fluorescent light of 3600oK (warm white). |
 |
. |
. |
244 |
Plus Green |
 |
Approximately
equivalent to CC30 green. |
 |
. |
. |
245 |
Half Plus Green |
 |
Approximately
equivalent to CC15 green. |
 |
. |
. |
246 |
Quarter Plus
Green |
 |
Approximately
equivalent to CC075 green. |
 |
. |
. |
247 |
Minus Green |
 |
Approximately
equivalent to CC30 magenta. |
 |
. |
 |
248 |
Half Minus Green |

|
Approximately
equivalent to CC15 magenta. |
 |
. |
 |
249 |
Quarter Minus
Green |
 |
Approximately
equivalent to CC75 magenta. |
 |
. |
 |
| 250 |
Half White Diffusion |
 |
Half strength 216 |
 |
. |
. |
| 251 |
Quarter White Diffusion |
 |
Quarter strength 216 |
 |
. |
. |
| 252 |
Eighth White Diffusion |
 |
Eighth strength 216 |
 |
. |
. |
| 253 |
Hampsire Frost |
 |
Light frost effect |
 |
. |
. |
| 254 |
New Hampsire Frost |
 |
. |
. |
 |
. |
| 255 |
Hollywood Frost |
 |
Light frost effect - softens
edges |
 |
. |
. |
| 269 |
Heat Shield |
 |
Designed to increase life of
filter, install between light source and filter, ensure circulation of air around light
source, heat shield and filter. |
 |
. |
. |
| 271/4 |
Mirror Silver / Gold Reflector |

|
. |
 |
. |
. |
| 272 |
Soft Gold Reflector |

|
. |
 |
. |
. |
| 273 |
Soft Silver Reflector |

|
. |
 |
. |
. |
278 |
Eighth Plus
Green |
 |
Provides very
slight green cast. |
 |
. |
. |
279 |
Eighth Minus
Green |
 |
Provides very
slight correction. |
 |
. |
. |
281 |
Three Quarter
C.T.B. |
 |
Converts
tungsten to daylight. |
 |
. |
. |
285 |
Three Quarter
C.T.O. |
 |
Converts
daylight to tungsten light. |
 |
. |
. |
| 298 |
.15 ND |
 |
Reduces light ½ stop without changing
color |
. |
. |
 |
| 299 |
1.2 ND |
 |
Reduces light 4 stops without changing
color |
. |
. |
 |
303 |
Pale Gold |
 |
Interior
lighting to enhance skin tones. |
 |
. |
 |
306 |
Medium Lemon |
 |
Television -
set lighting. |
 |
. |
. |
308 |
Medium Straw |
 |
Television -
set lighting. |
 |
. |
. |
309 |
Special Straw |
 |
Television -
set lighting. |
 |
. |
. |
311 |
Flame |
 |
Fire Effect. |
 |
. |
. |
| 312 |
Cherry Blossom |
 |
. |
. |
 |
. |
313 |
Special Light
Amber |
 |
Television -
set lighting. |
 |
. |
. |
315 |
Special Golden
Amber |
 |
Television -
set lighting. |
 |
. |
. |
317 |
Dark Amber |
 |
Backlight. |
 |
. |
. |
321 |
Light Red |
 |
Television
Effect lighting, cycloramas. |
 |
. |
. |
322 |
Soft Green |
 |
Cool green,
use for gobo cover, pantomime, cycloramas. |
 |
. |
. |
323 |
Jade |
 |
Use for
underwater scenes, cycloramas, backlighting. |
 |
 |
. |
325 |
Mallard Green |

|
Good for mood
setting, undergrowth. |
 |
. |
. |
327 |
Forest Green |
 |
Deep green,
sinister forest scenes, cycloramas, backlighting. |
 |
. |
. |
328 |
Follies Pink |
 |
Dramatic stage
lighting. |
 |
. |
. |
332 |
Special Rose
Pink |
 |
Pantomimes,
light entertainment etc. strong stage wash. |
 |
 |
. |
339 |
Rose Purple |
 |
Television,
discos, cycloramas. |
 |
. |
 |
340 |
Surprise
Lavender |
 |
Television. |
 |
. |
. |
341 |
Plum |
 |
Romantic,
atmospheric set lighting. |
 |
. |
. |
343 |
Special Medium
Lavender |
 |
Theatre and
T.V. effect lighting, backlighting. |
 |
. |
. |
344 |
Violet |
 |
Dusk effect,
good skin tones, romantic effect. |
 |
. |
. |
345 |
Fuchsia Pink |
 |
Musical revue,
pantomime, sultry scenes. |
 |
. |
. |
| 346 |
Fushsia |
 |
. |
. |
 |
. |
349 |
Pale Blue |
 |
Cool wash,
cycloramas. |
 |
. |
. |
350 |
No Color Blue |
 |
Cold blue,
good for cool atmospheric mood setting. |
 |
. |
. |
352 |
Glacier Blue |
 |
Cold blue,
good for cool atmospheric mood setting. |
 |
. |
. |
353 |
Lighter Blue |
 |
Daylight
effects. |
 |
. |
. |
354 |
Special Steel
Blue |
 |
Cooling
blue-green wash for stage and set lighting. |
 |
. |
 |
357 |
Special Medium
Blue |
 |
Mood effects. |
 |
. |
. |
360 |
Bright Blue |
 |
Television. |
 |
. |
. |
361 |
Surprise Blue |
 |
Television. |
 |
. |
. |
363 |
Special Medium
Blue |
 |
Cool
moonlight, mood effects. |
 |
... |
. |
366 |
Cornflower |
 |
Seasonal mood
lighting, pale moonlight. |
 |
. |
. |
371 |
Light Green |
 |
Television,
cycloramas. |
 |
. |
. |
378 |
Yellow Green |
 |
Television. |
 |
. |
. |
380 |
Golden Amber |
 |
Television -
set lighting. |
 |
. |
. |
381 |
Rose Purple |
 |
Television -
cycloramas. |
 |
. |
. |
382 |
Medium Purple |
 |
Television. |
 |
. |
. |
383 |
Light Green Blue |
 |
Television
-pleasing effects for lighting. |
 |
. |
. |
384 |
Sky Blue |
 |
Television -
night effect. |
 |
. |
. |
385 |
Deeper Blue |
 |
Moonlight -
strong backlights (television). |
 |
. |
. |
386 |
Dark Bastard
Amber |
 |
Television. |
 |
. |
. |
| 410 |
Opal Frost |
 |
Used for soft light effect |
 |
. |
. |
| 416 |
Three Quarters White Diffusion |
 |
3/4 strength 216 |
 |
. |
. |
| 420 |
Half Opal Frost |
 |
Soft light effect |
 |
. |
. |
441 |
Full C.T. Straw |
 |
Converts 6500oK
to 3200oK - daylight to tungsten light with yellow bias. |
 |
. |
. |
442 |
Half C.T. Straw |
 |
Converts 6500oK
to 4300oK - daylight to tungsten light with yellow bias. |
 |
. |
. |
443 |
Quarter C.T.
Straw |
 |
Converts 6500oK
to 5100oK - daylight to tungsten light with yellow bias. |
 |
. |
. |
444 |
Eighth C.T.
Straw |
 |
Converts 6500oK
to 5700oK - daylight to tungsten light with yellow bias. |
 |
. |
. |
| 450 |
Three Eighth White Diffusion |
 |
3/8 strength 216 |
 |
. |
. |
| 452 |
One Sixteenth White Diffusion |
 |
1/16 strength 216 |
 |
. |
. |
| 712 |
Bedford Blue |
 |
. |
. |
 |
. |
| 713 |
J. Winter Blue |
 |
. |
. |
 |
. |
| 714 |
Elysian Blue |
 |
. |
. |
 |
. |
| 720 |
Durham Daylight Frost |
 |
. |
. |
 |
. |
| 722 |
Bray Blue |
 |
. |
. |
 |
. |
| 723 |
Virgin Blue |
 |
. |
. |
 |
. |
| 729 |
Scuba Blue |
 |
. |
. |
 |
. |
| 735 |
Velvet Green |
 |
. |
. |
 |
. |
| 774 |
Soft Amber Key 1 |
 |
. |
. |
 |
. |
| 775 |
Soft Amber Key 2 |
 |
. |
. |
 |
. |
| 798 |
Chrysalis Pink |
 |
. |
. |
 |
. |
| F1 |
White Diffusion |
 |
Soft light effect (50 micron
base) |
 |
. |
. |
| F2 |
White Diffusion |
 |
Soft light effect (50 micron
base) |
 |
. |
. |
| F3 |
White Diffusion |
 |
Soft light effect (75 micron
base) |
 |
. |
. |